Shiva Nata: An ancient yogic system

Shiva Nata – The Dance of Shiva

Transitions from one Asana or Vinyasa to another one are accompanied with the movements of the arms or legs. In general terms, these movements are variations of Vinyasas, as they are synchronized with the breath. But these do not form any particular group of Vinyasas, which is a functional element of the «Universal Multilevel Vinyasa Algorithm», but they comprise parts of these Vinyasa groups used when transiting from one Asana or Vinyasa to another one.

Such arm and leg movements may be done with a number of similar options. For example, if standing upright, start to bend forward with the arms raised above the head and lower the hands onto the floor. During this move, there are a minimum of three optional ways of how the arms will move: forward and down, to the sides and down, and back and down.

In addition, there are a number of special breath exercises that are accompanied by similar movements of arms or legs. The arms are associated with the chest by means of muscles, and the legs are associated with the abdominal cavity, and both participate in the breathing process. This means that breathing characteristics largely depend on the trajectory and movement characteristics of the arms and legs in breathing exercises.

Unfortunately, in many Yoga schools with many progressive technical elements and methods, these movements are performed with extreme simplicity, primitively and without exaggeration. But at the same time these movements largely determine characteristics of energy flows in peripheral channels, it is still necessary to study the main dynamic principles of the limbs and their impact on breathing characteristics. That is why it is important to introduce the nature of such movements into the practice of Yoga, and to make conscious all the movements with arms and legs made during training. This increases the effectiveness of breathing exercises by using specifically selected movements with the arms and legs.

Analyzing a theoretical model of the moving arm or leg, attached to a tentatively immovable body, we can see that these movements may be performed in one, two or three planes. Single-measured movements are performed by «directly» extending an arm or a leg. Double-measured movements are performed by their “plane” ones. And triple-measured movements occur when performing «three-dimensional» spiral movements.

In this connection, there are three groups of limb movement: linear, plane and dimensional.

Theoretically, when performing purely linear or single plane movements, the elements of the skeleton are required to be driven by a single muscle or by several parallel muscles set in the same plane as the direction of the movement. But, since the human body is constructed so as to provide movements in different directions, the limb controlling muscles are attached to the elements of the skeleton at different angles. And observing the natural dynamics of the body, one can see that almost all of its movements are effected by the operation of muscle groups rather than by individual muscles. When a particular movement takes place, the load is completely or partially transferred from one muscle to another. This is accompanied by changes in the angle of the application of the driving effort. Therefore, natural movements can rarely be purely linear or single-plane (only within a short track). Most often these occur upon the abrupt relaxation of the muscles when a particular part of the body falls freely.

To make the technique of liner or single-plane movements more sophisticated and natural, they should be complemented with specific motions that make the movement three-dimensional. So for example, linear bending (unbending) of an arm (leg) may be effected in a «whip-like» way or be rotated around its axis. And in a single-plane radial movement of an arm (leg), it can be simultaneously rotated around its axis.

Compared to linear and single-plane movements, three-dimensional spiral movements have a number of benefits and positive qualities. Firstly, these are the most natural and balanced movements. Secondly, they are performed in three planes and their trajectory consists of both linear and radial motion moments, and subsequently, this implies the ability to perform and control these movements also. Thirdly, three-dimensional spiral movements cover almost all-possible positions «within the Marginal Mobility Circle» of the arms and the legs. This allows one to control this space and link any points inside this space between themselves. Fourthly, performing such spiral movements employs all muscle groups of the arms, legs, shoulder and hip girdle, which results in powerful and comprehensive strengthening effects during training.

Since movements with the limbs include overcoming gravitation, there is a relationship between the force lines of the Earth’s gravitational field and the «inner energy flows». According to the «action equals counteraction» rule, the upward movement of the limbs against the gravitational force relates to actively overcoming energy flows. Or it is possible to say that the active component of the gravitational force is transferred to the channels of the arms and legs. And on the contrary with moving the limbs down, on the gravitational force movement, the activity of energy flows decreases. For all that the activity of gravitational force carries out the work of falling down the limbs and a passive anti-flow is filled in the energetic channels of the arms and legs.

Continuous spiral movements consist of two complete counter-directional sine curves. Therefore, performing such movements sets a series of alternating active and passive fragments of the energy flow. These energy impulses purify energy channels and balance the circulation of energy inside them.

Synchronizing spiral movements of the limbs with the breath creates a constant and intensive energy consumption from the surrounding space, translation of it through psychic-energy structure channels, and accumulation and radiation into the surrounding space.

Such spiral motions were widely used in early Buddhist practices. Initially these were the elements of the Dance of Shiva, a Yogic art which develops conscious control, coordination and the potential abilities of the body, without specialized application in life.

Later, Boddhidharma exported them to Shaolin, and on the basis of these movements applied martial art techniques were developed with the use of one’s own body and various weapons: a sword, a pole, a spear, etc. These techniques became the perfect means for developing the functional abilities of the body, increasing the organism’s energy potential, the controling and coordinating several «sectors» of various body parts at the same time.

It should be noted that having a weapon in the hands promotes an increase of density energy flowing through arm channels, and more intensively develops the strength and endurance of the fighter. But there is another side of using weapons in training: it reduces the requirements to the twisting capability of the joints.

Therefore, the Far East schools of martial arts allowed practitioners to exercise with weapons only after many years of practicing base exercises without any weapons.

Some of these exercises have become widely known today, for example «rotation of cups filled with water» which should not be spilled during radial spiral movements. In the Ancient Dance of Shiva, however, such cups contained oil and wicks, which were burning throughout the dance. And in rotating the cups no oil should be spilled, and the fire should remain burning.

This dance, performed against the background of starry skies, made an inexplicable impression…

The Dance of Shiva uses sixteen principally different basic movements and sixteen positions for two arms. And this number may be neither larger nor smaller.

The helix always has a central axis around which the rotation is effected. When rotating a cup, its upper surface and the palm should always be in the horizontal position, whereas the spiral movements should be around the vertical axis. In this event, the rotation of the cups is done simultaneously, as if in two parallel horizontal planes, and are connected by diagonal fragments of the transition movements from one such plane to another. Therefore, such spiral movements are called «horizontal».

At the same time, such horizontal rotation of the cups consists of two continuous radial movements along spiral trajectories: ascending and descending. Performing such exercises results in the integration of the upper and lower horizontal subspaces.

There are several levels for the practical learning of these movements. But, at the very beginning, it should be noted that the difference between these levels is not in physical complexity. It is in the level of control and coordination, as well as in the ability to follow a preset program for a long period of time, without being distracted. Then, faultlessly changing from one movement to another, performing them with technical perfection. But on the physical level, the complexity of these movements has little difference.

Transition from one level to another requires knowing a greater number of various combinations of these simple movements and supplementing linking movements, which correspond to improved coordination of the arms and legs. And the ability to avoid being distracted for a long time, and faultlessly follow a preset program corresponds to the increased level of controlling various positions of the arms and legs within the «Boundaries of the Marginal Circle» of their mobility.

Mastering the first level is sufficient for introducing the nature of such movements in Asana, Vinyasa sequences and breath exercises. But the first level will not be sufficient for the purposes of special development of control and coordination. Therefore, two development levels in this direction are considered below.

When analyzing the Dance of Shiva, it is required to understand from the very beginning that the word dance is applied provisionally, based solely on the external features of this phenomenon. It is necessary to imagine what happens with the energy body in the surrounding space during the spiral movements with the hands and cups. First of all, a spiral is a three-dimensional sine curve. And, as it is known from physics the movement of the energy media, e. g., electrons, along a spiral conductor creates an electromagnetic field. In this event, the electromagnetic force acts along the central axis around which the spiral movement is effected. Similar phenomena occur in the space around the human body if a man performs spiral movements with his arms or legs. In terms of physic science, such movements are accompanied with a definite movement of the life energy through the channels of the arms and legs. There are respective forces operating along the central axis, around which such spiral movements are performed, which interact with the surrounding space. The pulsating change of the ascending and descending directions of such spiral movements, with the cups being continuously rotated, causes such forces to pulsate and reverse.

Gaining experience in controlling energy flows opens many abnormal abilities. But, despite the temptation of mastering them, it is important to always remember the main purpose of this practice.

Despite the powerful energy-related effects occurring during the Dance of Shiva, these movements cannot be directly compared with Qi Gong, Tai Chi, Zong Shin, Kung Fu and other martial arts of Chinese, Vietnamese or Japanese heritage. It is important to remember that in these techniques, the main accent is made on the development of the energetic results connected with the feeling of movement and the accumulation of Power, and on the development of the strategic and technical qualities of a fighter. But in the Dance of Shiva, the main accent is made on the development of the multi-sector control of the body’s controlling structures, the increases of the speed of the controlling processes, and the forms of the new algorithms of transcendental links in the consciousness. These new links increase the power and generation of the bio-processor.

Of course, these controlling processes may be developed for special purposes through various exercises without the participation of the physical body. For example, the development of mathematical thinking, playing chess games and modern computer games leads to such narrow and lopsided development, and for some people, this narrow and one side development will possibly suffice. But the Dance of Shiva, however, allows the preservation of harmony in the developing of the body and Spirit. Since the body’s physical abilities are more easily developed than the spiritual abilities, the tasks of conscious control in the Dance of Shiva are rather simple compared to the tasks which may be required in purely «conceptual» practices. But, at the same time, these tasks correspond to the real level of the instrument (the body). Here one will never face the situation when the Spirit is ready to fly but the weak body is not even able to crawl, because there is balance between the Sky and the Earth, between the evolution of the ideal and material.

Ramayan: A Yogic Allegory

Ram symbolizes a Yogi-Sahdhak. He broke Shivdhanushya into pieces- this is the Avayava Chhedan of Merudanda (spinal chord). This experience can be achieved by superior Yoga practice only. Ram broke Shivdhnushya and got married to Sita (self-experience). He gave up worldly life and along with Sita (self-experience) and Laxmana (discretion/ prudence) eminent Yogi Ram lived in the forest Dandakaranya (for doing the penance of Merudanda Sadhana). After carrying out such Sadhana for 14 years with maturity and prudence, a Sadhak can become one with his soul. Some studies suggest that, 12- 14 years of celibacy also helps gather enough virility for a sadhak to potently direct the kundalini towards its goal.

Dandakaranya is a forest, where the house namely Panchvati is made of five senses. Ram cuts ears and nose of Shurpanakha (Avyava Chhedan or desire for women) and kills the golden deer i.e. covetousness. He has left his kingdom too. Thus, Ram is ready for Sadhana after giving up his all materialistic wishes. As Laxman (prudence) follows him Ram performs his Yog-Sadhana. Royal self-experience (Sita) is taken away by Brahmadnyana Ravan. When Sita, self-experience is lost, Ram becomes desperate and yearns for her. Laxman keeps his balance. The air element, Hanuman, meets Ram at Pampa Sarovar, the water element, and helps him to find out Sita. Hanuman, is one with the hanuvati, a chin. The dasa (servant) of atma ram (the self god) is Hanuman.  Sita is found at Brahmarup Ravan. Since Ravan has taken her away, Ram has to fight with him to get her back. This is the battle between good and evil attitudes. In this battle Ram kills Kumbhakarna who symbolizes Sadhana done by only listening. Other ill wills are also killed in this attitudinal war of Ram and Ravan. Egoistic Ravan has a son Indrajit, who has command over his limbs. Ram asks Laxman to kill Indrajit who is busy performing Yadnya. Brahmavastha is in the form of Ravan. He is egotistic as he has mastery over Vedas and knowledge. So Ram has to target his heart, meaning thereby, he has to change the mind-set totally and nurture that good attitude. Ravan is thus merged into Ram. Sita, self-experience, acquires grace of Brahmadnyan but has to go through an ordeal. Now, Sita is sacred, pure and symbolizes divine self-experience. She is also waiting to meet Ram after her stay with Brahmanubhuti. Ram and Sita and Laxman return to Ayodhya, a place where there is no war but peace. Ram symbolizes a Yogi-sadhak leading a peaceful life. Sita conceives two virtues namely Lav (time) and Kush (penance). Thus Ram achieves authority for Samdahivastha. But Story of Ramayan continues.

Bramha, Vishnu and Shiva: A Yogic Explanation

A Yogic Explanation by H. H. Shri Shailendra Sharma

Brahma, Vishnu and Shiva

Ancient sages realized three states of the creation and introduced their presiding gods as Brahma, the creator; Vishnu, the fosterer; and Shiva, the destroyer. A pondering on these symbols from modern perspective leads us to a new meaning of all these symbols.

The principal basis of the creation is matter. As far as eyes can see, there are very many forms of matter that are visible. Right from the gross to the subtle, the matter with its entire immensity is present within the infinitude of the universe. The term Brahma means ‘unlimited immensity’. It is a symbol of the immensity of matter, the principal basis of this creation, or it may be said that the root consciousness of the conscious matter was adorned by the term ‘Brahma’ by the sages.

Lord Vishnu contains the creation and while containing it, he also fosters it. We have read this in the scriptures. After pondering upon this we find that the element that contains the matter is ‘void’ or the empty space. So much so that upon studying the smallest unit of matter – the atom, we find that the void exists between the centre of the atom and the particles moving around it. The support of the movement of matter is the void. Sages realized the capacity of the void to contain the matter and gave the name Vishnu to the consciousness of the conscious void.

When we split the matter and reach the atom, and then split it too, we can experience pure energy. In our quest for analyzing the energy or searching the root source of the energy, when we reach the original source, we are able to see that the advent of energy takes place from pure thought. Pure thought, which we can also term as the consciousness of the matter, is born from the conscious void. Pure thought alone is the link that establishes a relationship between the matter and the void. Continue reading

The Significance of 108

In the Hindu-Buddhist civilizational sphere, the number 108 is among the most sacred and appears as the true or fictitious cardinal number of all manner of philosophical sets and religious series.  What makes this number so special? My friend, mentor Ramsai has done amazing research on this subject. The significance of 108

The Indian Subcontinent rosary or set of mantra counting has 108 beads. 108 has been a sacred number in the Indian Subcontinent for a very long time. This number is explained in many different ways.

The ancient Indians were excellent mathematicians and 108 may be the product of a precise mathematical operation (e.g. 1 power 1 x 2 power 2 x 3 power 3 = 108) which was thought to have special numerological significance.

Powers of 1, 2, and 3 in math: 1 to 1st power=1; 2 to 2nd power=4 (2×2); 3 to 3rd power=27 (3x3x3). 1x4x27=108

Sanskrit alphabet: There are 54 letters in the Sanskrit alphabet. Each has masculine and feminine, shiva and shakti. 54 times 2 is 108.

Sri Yantra: On the Sri Yantra there are marmas where three lines intersect, and there are 54 such intersections. Each intersections has masculine and feminine, shiva and shakti qualities. 54 x 2 equals 108. Thus, there are 108 points that define the Sri Yantra as well as the human body.

9 times 12: Both of these numbers have been said to have spiritual significance in many traditions. 9 times 12 is 108. Also, 1 plus 8 equals 9. That 9 times 12 equals 108.

Heart Chakra: The chakras are the intersections of energy lines, and there are said to be a total of 108 energy lines converging to form the heart chakra. One of them, sushumna leads to the crown chakra, and is said to be the path to Self-realization.

Marmas: Marmas or marmastanas are like energy intersections called chakras, except have fewer energy lines converging to form them. There are said to be 108 marmas in the subtle body.

Time: Some say there are 108 feelings, with 36 related to the past, 36 related to the present, and 36 related to the future.

Astrology: There are 12 constellations, and 9 arc segments called namshas or chandrakalas. 9 times 12 equals 108. Chandra is moon, and kalas are the divisions within a whole.

Planets and Houses: In astrology, there are 12 houses and 9 planets. 12 times 9 equals 108.

Gopis of Krishna: In the Krishna tradition, there were said to be 108 gopis or maid servants of Krishna.

1, 0, and 8: 1 stands for God or higher Truth, 0 stands for emptiness or completeness in spiritual practice, and 8 stands for infinity or eternity.

Sun and Earth: The diameter of the sun is 108 times the diameter of the Earth.

Numerical scale: The 1 of 108, and the 8 of 108, when added together equals 9, which is the number of the numerical scale, i.e. 1, 2, 3 … 10, etc., where 0 is not a number.

Smaller divisions: The number 108 is divided, such as in half, third, quarter, or twelfth, so that some malas have 54, 36, 27, or 9 beads.

Islam: The number 108 is used in Islam to refer to God.

Jain: In the Jain religion, 108 are the combined virtues of five categories of holy ones, including 12, 8, 36, 25, and 27 virtues respectively.

Sikh: The Sikh tradition has a mala of 108 knots tied in a string of wool, rather than beads.

Chinese: The Chinese Buddhists and Taoists use a 108 bead mala, which is called su-chu, and has three dividing beads, so the mala is divided into three parts of 36 each.

Stages of the soul: Said that Atman, the human soul or center goes through 108 stages on the journey.

Meru: This is a larger bead, not part of the 108. It is not tied in the sequence of the other beads. It is the quiding bead, the one that marks the beginning and end of the mala.

Dance: There are 108 forms of dance in the Indian traditions.

Pythagorean: The nine is the limit of all numbers, all others existing and coming from the same. ie: 0 to 9 is all one needs to make up an infinite amount of numbers.

We have listed below 108 Upanishads as per the list contained in the Muktikopanishad . We have arranged them in four categories according to the particular Veda to which each of them belong.

Rigveda(10): Aitareya , Atmabodha, Kaushitaki, Mudgala, Nirvana, Nadabindu, Akshamaya, Tripura, Bahvruka, Saubhagyalakshmi.

Yajurveda(50): Katha, Taittiriya , Isavasya , Brihadaranyaka, Akshi, Ekakshara, Garbha, Prnagnihotra, Svetasvatara, Sariraka, Sukarahasya, Skanda, Sarvasara, Adhyatma, Niralamba, Paingala, Mantrika, Muktika, Subala, Avadhuta, Katharudra, Brahma, Jabala, Turiyatita, Paramahamsa, Bhikshuka, Yajnavalkya, Satyayani, Amrtanada, Amrtabindu, Kshurika, Tejobindu, Dhyanabindu, Brahmavidya, YogakundalinI, Yogatattva, Yogasikha, Varaha, Advayataraka, Trisikhibrahmana, mandalabrahmana, Hamsa, Kalisantaraaa, Narayana, Tarasara, Kalagnirudra, Dakshinamurti, Pancabrahma, Rudrahrdaya, SarasvatIrahasya.

SamaVeda(16): Kena, Chandogya, Mahat, Maitrayani, Vajrasuci, Savitri, Aruneya, Kundika, Maitreyi, Samnyasa, Jabaladarsana, Yogacudaman, Avyakta, Vasudevai, Jabali, Rudrakshajabala.

Atharvaveda(32): Prasna , Mandukya, Mundaka, Atma, Surya, Narada-Parivrajakas, Parabrahma, Paramahamsa-Parivrajakas, Pasupatha-Brahma, Mahavakya, Sandilya, Krishna, Garuda, Gopalatapani, Tripadavibhuti-mahnarayana, Dattatreya, Kaivalya, NrsimhatapanI, Ramatapani, Ramarahasya, HayagrIva, Atharvasikha, Atharvasira, Ganapati, Brhajjabala, Bhasmajabala, Sarabha, Annapurna, TripuratapanI, Devi, Bhavana, SIta.

The Significance of the number 108

We must agree that all measuring systems are merely reference frames. They give us a starting point. It doesn’t really matter if you call them farenheits or cycles. All science is based on fundamental assumptions of the mechanics of this universe. Yet, these assumptions, if correct, connect like building blocks.

Much in the same way, the number ‘108’ is just a reference frame. It is symbolic of a bigger picture: that of humility. When devotees recite 108 Hanuman Chalisas, in their minds they believe, they are proving their love for God, and that there is in fact a need to prove their love. When devotees assign a 108 names to Shri Ganesh, they are once again gauging their devotion through numbers. This, of course, may be considered unreasonable, since it suggests that 108 chants are more effective than 109 chants. How do they know this? Have they proved it? Is 108 the magic number of the universe? No, it is not! It is a reference frame. What is important is that a system is imposed to guide us through the fundamental struggles encountered in any evolutional process. Otherwise, chaos and anarchy follow and nothing gets done.

Having said that, I will show you justifications from a few subcultures in India. Obviously, I consider the Vedic rationale to be the most consistent with the fundamental laws of this universe. The others have borrowed and built, but it still smells of Vedic beginnings.

In present times, we can find many rationales for the proliferation of ‘108’ throughout our scriptures. In fact, this number seems to garner its unfair share of attention from myriad cults and faith systems around the world. I will give you a few justifications that have been brought to my attention.

JYOTISH SHASTRA {VEDIC SYSTEM} This universe was created by the five elements: space, air, fire, water and earth. From these elements came the three attributes: Raj {birth}, Sat {protection} and Tam {destruction or death.}

The mathematical or geographical evidence proves that one circle has 360 degrees in space. Why is this circle or wheel of life considered to be of 360 degrees only? If we take a circle and start dividing it using the four elements and three attributes, all the logic can be observed.

The circle itself, is considered the first element of space, since we must consume space in drawing a circle. In this space {or circle}, the four remaining elements and three attributes create the idea of time. The circle is divisible by the product of four elements multiplied by three attributes. This involves the belief that the three attributes exist in the circle. By moving three times, each element completes its revolution.

So now we have the number 12 {3 x 4}. This division gave birth to our 12 months, and also to the 12 horas {1/2 of the day or Ahoratri}. We now have 360 degrees as well as 12 divisions. We can now further divide the wheel of time: there are 27 fixed stars (nakshatras) along with three attributes that divide the time in smaller portions. So this 27 + 3 = 30 is interpreted as 30 degrees or days of one part of the wheel (circle) or month. All of this is only half of a day. The night is yet unaccounted for. Therefore, we multiply these 30 degrees by 2. This gives us our reference of 60 seconds in a minute.

Thus the 360º x 30º = 10,800. Zero {0} is considered ‘Purna’ or complete. So we take out the last zeros and are left with 108. The idea of our total universe is represented by this number of 108. Offering 108, devotees believe that they are showing ultimate or complete respect to the Supreme.

There are many other justifications but all can be traced back to this system. A few are explained below:


Followers use 108 beads in their malas. They implement the following formula: 6 x 3 x 2 x3 = 108

6 senses [sight, sound, smell, taste, touch, thought]

3 aspects of time [past, present, future]

2 condition of heart [pure or impure]

3 possibilties of sentiment [like, dislike, indifference]


All Buddhists accept the Buddha Footprint with its 108 Auspicious Illustrations. These areas are considered to have been marked on the Buddha’s left foot when his body was discovered.


108 beads on the Hindu maalaa {rosary}

108 Arhats or Holy Ones


108 Gopis {consorts} of Lord Krishna

108 Holy places for Vaishnavas 108 beads on the Japa maalaa {rosary}

108 Upanishads

108 Divyadeshes – Divine or Sacred Tirtha throughout India and Nepal

108 sacred water taps in Muktinath – Nepal


108 Pitha {Sacred Places}

The story goes that Lord Shiva was in deep and incessant meditation. His asceticism was creating great heat in the universe. All existence was in peril and Lord Brahma was deeply concerned. Lord Brahma asked the Mother of the Universe, Maa Shakti, to use Her strength and wile to seduce Lord Shiva. Maa Shakti agreed and was born as Sati, daughter of Shri Daksha. Lord Shiva was so entranced by Sati’s asceticism and extraordinary beauty that he took human form and they were married. Years later, at a feast, Sati’s father insulted Lord Shiva. Sati was so humiliated that she began a deep meditation which led to her immolation. Lord Shiva was completely heart broken. He reached into the sacrificial fire and pulled out as much of His beloved’s body as he could grab. As He ascended to heaven, bits of Sati’s body fell to earth. 108 bits to be precise! In time, these places were acknowledged and worshipped.


In a book by Khurana, the explanation closely mirrors the original Vedic justifications: A circle has 360 degrees, which when multiplied by 60 gives us 21,600 minutes in a circle. 60 comes from the 60 ‘ghatis’ which Sanatana Dharmiks believe in. One ghati is equal to 24 minutes and 60 ghatis come to 24 hours.

One ghati is divided into 60 parts or ‘palas’.

So the 60 ghatis multiplied by 60 palasa comes to 3,600.

This is further multiplied by 60 (becase a pala contains 60 vipalas) which gives us 21,600.

Half of this is for the day, and the other half for the night. So, 21,600 divided by 2 gives us 10,800. For practical purposes, we use 108.

Using the number 108 helps us coordinate the rhythm of time and space & we remain in harmony with the spiritual powers of nature.



Yoga: Union

Yoga, literally means ‘to add’, ‘to unite’. This is all it is, really. The word signifies the end more than the means to achieve the end.

Union of what? Yoga is the union of will with power.Will without power, cannot get things done. Power on its own is just chaos, if there is nothing to guide or harness it.

Yoga stands true to its name in every sense of the word. If we look at its operational aspect, whether it is hatha-yoga, raja-yoga, siddha-yoga or any other school of yoga, a yogi aspires to awaken vast measures of power (Kundalini shakti), lying dormant in his root chakra. Then strives to propel this power upwards, to the chakra that is the seat of the ‘will’. Thus uniting will with power.

The union of Shiva with Shakti. The union of Yin and Yang.
Merging of all dualities into a singularity.
Even cause and effect do not remain as two events separated by time. Similarly thought and action become one. When thought and action are the same, time dissolves and everything happens in a trice.

Perhaps the biblical verse “Let thy will be done”, makes more sense now.


Bhakti, Gnyaan, Karma et al

Bhakti yoga, Gnyaan yoga or Karma yoga, it really does not matter. Our breath is in fact a perpetual chant. A chant that is on even before our birth and continues even after we die. Each sentient being is chanting the ajapa japa, literally meaning – the unchanted chant, at all times, periodically, rhythmically and diligently. Thus we are automatic proponents of bhakti yoga.
Since all doing or non-doing constitutes karma, merely by breathing we are automatic proponents of karma yoga.
When we summon our limited attention and knowingly mingle it with the breath, we are automatic proponents of gnyaan yoga.
The said nature of our true self is unlimited, stead fast attention. Observant, silent, formless, pure energy.
The said expression of the self is a limited attention encapsulated in a corporeal form.
Param atma – {Universal set, mathematically} all knowledge, eternal infinite ocean of knowledge
Atma – {A set}, contained knowledge, atoll lagoon of the ocean
As instruments of scriptures (theory) and theosophy, the three margas {paths, ways} can be understood thus:
Bhakti {like fusion reaction},
Advocates complete submission of the limited attention = {ego, intellect, mind and memory} to infinite attention. The objective is to bring the four faculties of the conscious self together, like bringing together four quadrants of a hollow cylinder {fontanelle to coccyx}
It is comparable to nuclear fusion, it takes considerable amount of effort to combine the four faculties, however when done, results are tremendous.
The moment they connect, the body then becomes a conduit for pure energy flow. When there is infinite attention, it can access all knowledge. Thus proponents of bhakti can savor gnyan as a definite side-effect.
Gnyaan {like fission reaction},
Uses a variant of the divide and rule modus operandi. It pits three faculties together{intellect, mind and memory}, to collectively quell the {ego}. Starving the ego, of gratification of the other three, eventually arm-twisting it to join forces with them. With systematic questioning, we drill down to the singular root cause of all thought, belief  and conditioning of the mind.  The ego is simultaneously the most formidable adversary and ally.
Once quelled and humbled, the ego is pure dark energy that instantly dissolves the {intellect, mind and memory}, liberating them from causality, by merging into a singularity {the cause of all causes, the root cause}.  Again we see the unification of the four faculties into a single channel of pure energy. As the proponents of gnyaan, unravel each thought, ego begins to disintegrate, love for the process and a resulting devoted state develops. Thus gnyaan reinforces bhakti, and proponents of gnyaan can enjoy bhakti as a side effect.
Karmaa {Action, Reaction}, Pure Karma : Sat Karma {Radioactive Decay}
Happens spontaneously. There is always something being done. Whether we act or don’t act, we are still doing {different from akarma or inertia}. Unless there is a cessation or inertial dissolution of all faculties physical and internal, there is always action, ergo there is always karma.
Karma yoga path, relies heavily on the art of misdirection. The energy of the {ego} is kept busy in performing rational {mind, intellect and memory aided} action. Thus employing all four faculties collectively, again forming a channel for the flow of pure energy. The {ego} here is devoted ~ bhakti. The {mind, intellect and memory} are involved in gnyaan.
So we observe that none of the paths undermine the other. All are equidistant from the desired destination. Since the distance {d} is constant, it is the velocity {v} that will determine, how soon the destination arrives.


– H H Shri Shailendra Sharma JiExcerpt from http://www.siddhasiddhanta.comThe word Yoga is now a household name. It indicates towards that mystic practice, which awakens the dormant consciousness of mind and develops it beyond the physical limitations. The Yogi realizes the infinite and omnipotent nature of mind and comes to know the secrets of life and death. The fear of death vanishes after realizing the secrets and Yogi sees, face to face, four armed human form of Lord Vasudev who resides in every living being’s heart as the essence of Prana, the life force. After seeing Lord Krishna or Vishnu face to face, the knot in the heart is pierced, all his doubts vanish and the Yogi attains lasting peace. However, the practice of Yoga does not end here. It becomes even more rigorous and hard. After seeing the Lord Vasudev face to face, the Yogi goes even higher and he starts the most difficult practice of all – to know the essence of Vasudev – the Time, as the embodiment of Lord Shiva. After going through the most difficult practice with all his might, with the help of his Guru and by the grace of Lord Vasudev, he realizes his essential universal form – the Light of all Lights, the great effulgence of Time – Shiva and becomes liberated and one with the Time.