Karma Dharma Moksha

Being able to do, what we want to do, when we want to do it, without, hurting others and ourselves in the process is Moksha. There is no buddhist, islamic, hindu, or any other world religion that tells us otherwise. Doing what we do to the best of our abilities is karma, it is also dharma. The side effect is Moksha. Moksha is not a destination. There is no destination. That’s the beauty of it all. When we know there is nowhere to go, does it matter if we have little or more time. There is just action to be done.

Gods aren’t liberated beings, they need to take a corporeal form to get liberated. Gods are alpha, beta, delta, gamma, omega beings that yearn to be born in a human form. So that they can liberate themselves to join the Overmind. Gods like to do karma and reinstate such karma as dharma to get Moksha. Manifestations to perform various karmas, to get to Moksha happen in an event based space called the Universe. Ths is Karma kshetra, it is the dharmakshetra and is the kurukshetra.

Do not follow a buddha, or become a buddha, do not let ideas, incept ideas in you, that is not you. If you have a idea first within you, and then you see that someone has put it in good words, you can point to that, but thats that. Forget that idea, let it pass. Do not hold on to it.

 

Nāda: The MicroCosmic and MacroCosmic Rhythm

Most of us can remember a fundamental concept taught to us in school when we learned of Molecular Motion, States of Matter and Gas Laws:

“All molecules are in constant motion. Molecules of a liquid have more freedom of movement than those in a solid. Molecules in a gas have the greatest degree of motion.”

We now know that even atoms and sub atomic particles are in constant motion. Everything from within the microcosm to the macrocosm is in perpetual motion. Incidentally, this concept has also been integral to the authoritative religious texts in Hinduism. Some intuitive findings of the ancient seers or Rishis, of India,  are based on the premise that the entire cosmos and all that exists in the cosmos, including human beings, consists of sound vibrations, called nāda. This concept holds that it is the sound energy in motion rather than of matter and particles which form the building blocks of the cosmos.

Dr. Robert E Svoboda maintains, in his article THE SOUNDLESS SUSURRATION OF THE KINDLY HEART ” Viewed from the perspective of creation, nada is “that which expresses,” the sound current from which manifestation occurs. From the perspective of dissolution, however, nada is the resonance that follows bindu, the last point that the experiencer holds to before relinquishing all sense of time and space. The transcendent bruit that is nada begins to reverberate through one’s self-awareness as soon as all differentiating thought disappears. Nataraja straddles the bindu fence between creation and destruction, everlastingly awash in the nada tide that He Himself engenders.

Nothing in the universe moves but Nataraja; all else that shifts position, form or condition does so solely through His whirl. Nataraja is the perfect embodiment of a Vedic formula for compressing Reality into words: satyam, rtam, brhat (“the true, the harmonious, the vast”). Reality exists (it displays truth, satyam), it has a natural order or rhythm (rtam) which is self-perpetuating and self-correcting (it is harmonious), and it is all-pervasive, extending beyond the farthest reaches of the human imagination (it is vast, brhat). Nataraja’s form expresses the solidification of resonance, the congealing of music and dance into form. The word ambara can also mean “garment,” and chid-ambaram thus also means “clad in consciousness,” in the same way that a naked sadhu is sometimes spoken of as being dig-ambara, “sky-clad, clothed in the ten directions.” Awareness covers the Lord of Dance, it surrounds Him as it emerges from Him. Alone at the center of the cosmos, He is the embodiment of the consciousness that gave the cosmos birth. Within the human microcosm Nataraja relentlessly dances a tarantella of blood and lymph at the heart-center, thumping out the rhythm of heartbeats endlessly disseminating oxygen and prana, the life force. Like the heart, which sits at the core of the chest, the center of any space or image, in or out of the body, should be relatively empty of matter but full of prana. Any central area is a “heart,” a chid-ambaram that should reflect and express ultimate nature, ultimate sound and rhythm by concentrating prana there. Prana, mind and breath all work together, in the internal and the external universe alike.”

The power (Hara) of the unmanifested absolute (Shiva), when manifested becomes the dynamic cosmic energy (Shakti), much like potential energy transforming into kinetic energy, from inertia to motion. The sound of this energy when “expressed” as Svoboda says, creates matter in various forms and size, ranging from atoms to galaxies to universes.

In the human form, the energy itself, first, manifests into thousands of ethereal energy channels or meridians (72,000) that carry the nada in and out of the body. It is my supposition, that these channels are thus called the naadis.

Inherent, within the nada, are laya and taala, the tempo and the beat. It is no wonder then why human beings are inherently perceptible to music at any age. Rhythmic vibrations, interspersed with silence, pattern within silence and silence within pattern. Space within matter and matter within space, matter that is nothing but energy bound in certain vibrations. We and the whole universe is nothing but these vibrations within and without.

 

The Sound of One Hand Clapping

The Zen koan of the sound of one hand clap, by Hakuin Ekaku is very simple to understand. In fact it is so integral to our existence that it has been there all along, but we have never bothered to really listen.

Ofcourse it is something to be experienced, and one cannot be articulate enough to describe it in its entirety, and all that. Let us assume that we all know how to clap and we all more or less can relate to the sound of two hands clapping.

Let us come back to it later. Now, haven’t we all been deeply involved in listening to a song that we like.So deeply involved that we could not possibly think of the world, not even ourselves?

Now what if I got as deeply engrossed as that, say, when I am listening to the sound of my teeth chewing food, or water falling on my head during a bath, or my fingers touching the keyboard while I type this post, or the listening to the sound of my breath leave my nostrils. What if I was deeply engrossed every time I sense using my eyes, hands, ears, mouth and nose, so much so that I suddenly realize, that these are not really five different senses, its just one sense. A deeper faculty of observation that employs the bodies organs to feel or sense.

What if I suddenly realize, that it is my nature to observe. Further, when I am deeply engrossed in the observation there is nothing else but the observation. When I am listening to the music, there is only the music. There is no me. I am also the music. The listener and the listened are one. The observer and the observed are one. There are no two hands, there is just one hand.

In effect, when the hands are folded and palms touch each other, without making a sound, it is also a prayer. The highest form of prayer is absolute silence. Silence of thoughts.

 

सुनता हैं गुरु ज्ञानी : Sunta Hai Guru Gyaani by Saint Kabir Das

 

A philosophical masterpiece by the mystic, saint Kabir das. This bhajan, has been sung beautifully by Pt. Kumar Gandharva
सुनता हैं गुरु ज्ञानी गगन में,
आवाज हो रही झिनी झिनी – (धृ)
 
पाहि लीयाये नाद बिंदु से,
पीछे जमया पानी हो जी
सब घट पूरण बोली रह्या है,
अलख पुरुष निर्बानी हो जी ll 1 ll
 
वहां से आया पता लिखाया,
तृष्णा तौने बुझाई ..
अमृत छोडसो विषय को धावे,
उलटी फाँस फंसानी हो जी ll 2 ll
 
गगन मंडलू में गौ भी आनी
भोई पे दही जमाया…
माखन माखन संतों ने खाया,
छाछ जगत बापरानी हो जी … ll 3 ll
 
बिन धरती एक मंडल दीसे,
बिन सरोवर जूँ पानी रे
गगन मंडलू में होए उजियाला,
बोल गुरु-मुख बानी हो जी ll 4 ll
 
ओऽहं सोऽहं बाजा बाजे,
त्रिकुटी धाम सुहानी रे
इडा पिंगला सुखमन नारी,
सुनत भजन पहरानी हो जी ll 5 ll
 
कहत कबीरा सुनो भई साधो,
जानी अगम के बानी रे..
दिन भर रे जो नज़र भर देखे,
अजर अमर वो निशानी हो जी … ll 6 ll